Tag Archives: Woodstock

Furay’s little bit of magic

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I expected to see a good performance from Richie Furay Friday night at Stage One in Fairfield, but I was taken back by just how good.

richie-furay-live-2-small1With a five-piece band that includes multi-instrumentalist Scott Sellen and Furay’s daughter Jesse Lynch, Furay played a set that traveled from his past to the present, playing many songs that helped lay down the country-rock tradition, leaning heavily on rock, and are rarely played by any band today.

This is not just an aging musician running through songs with which he is associated. This is an extraordinary band.

When the opening song started with drummer Alan Lemke laying down a beat on his tom toms, I asked myself is that what I think it is? It was. This little band was playing Crazy Eyes, a Poco epic from the album of the same name from 1973. And the arrangement didn’t lack one bit.

Furay’s voice was full, clear and able to scale the heights he has always been known for on a song that demands it from the start. Every time I looked to the left of the stage Sellen was playing a different instrument. First electric piano, then banjo, then lap steel guitar and electric guitar. Continue reading Furay’s little bit of magic →

Woodstock Extras

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It couldn’t have been more than two hours after writing Woodstock revisited and stating it was unlikely I would be purchasing the latest re-release of the rock festival that I walked into Costco and found a copy of the 40th anniversary Ultimate Collector’s Edition at a price I wasn’t expecting. So low, that is. Of course, I picked it up and bought it.

woodstock-extras-discMy main interest was not in the Director’s Cut, which I had bought back in the early ’90s, but in the Extras disc, Woodstock: Untold Stories. It includes about three hours of material with nearly 150 minutes of previously unreleased performances, the rest consisting of documentary video segments.

The inclusion of the Paul Butterfield Blues Band was the main attraction for me, despite the band performing only one song, but the disc also includes The Who, Jefferson Airplane, Santana, Joe Cocker and first-time appearances on a Woodstock disc by Johnny Winter and Creedence Clearwater Rivival.

The viewer will have to sit through a somewhat painful first half of the disc though to get to the good bits. That may affect your decision on buying the set at all. You can skip over most of that of course, but it does reduce the portion of the footage that will draw you back for repeated viewings. Continue reading Woodstock Extras →

Woodstock revisited

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If you haven’t noticed the Woodstock blitz is on. The 40th anniversary of the most famous rock festival in history is being celebrated with a number of new releases on CD, DVD and Blu-Ray.

woodstock-40thThe only question left is whether Michael Lang, who produced the original festival, will stage anniversary events in August. There were reports earlier this year about free concerts in upstate New York and Berlin, Germany, but nothing is confirmed.

The video of the festival has been re-released by Warner Brothers in at least three versions, a two-disc Special Edition, and a three-disc Ultimate Collector’s Edition on DVD and Blu-Ray. It comes in a funky fringed box and features a 225-minute Director’s Cut and an additional three hours of bonus material and previously unreleased performances by artists such as Creedence Clearwater Revival, Santana, The Who, The Dead and The Paul Butterfield Blues Band, among many others.

Despite all this, there are still performances that won’t be included, most notably The Band. But others such as Creedence and Mountain will be making their first appearance. Blu-Ray will set you back about $60, while DVD can be had for $42. You can find a list of the 18 bonus performances here. Continue reading Woodstock revisited →

Something new and something old

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I’ve always been a big fan of Bob Dylan, but not a fanatic. His work and the changes he went through during the 1960s and most of the ’70s were extraordinary. But since, some projects have left me cold.

dylan-together-through-lifeHis latest, the strong-selling Together Through Life, a further exploration of roots-rock calling on all his musical influences while in collaboration with Grateful Dead lyricist Robert Hunter, succeeds in most aspects despite a few tracks that fall short of the high level of most of this album.

Almost simultaneously and much more quietly, a remarkable Dylan work with The Band, The Basement Tapes, has been remastered and re-issued on CD for the first time in many years. The attraction of these tapes is inescapable and perhaps more compelling today than on their initial release in 1975. But first Together Through Life.

Dylan has assembled a fine group of musicians for this outing with Mike Campbell of the Heartbreakers and David Hidalgo of Los Lobos on guitars, added to members of his touring band, Donny Herron, steel guitar, mandolin, banjo and trumpet, drummer George Recile and bassist Tony Garnier. Continue reading Something new and something old →

The clock is ticking

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The Felice Brothers have to rank right up there with all-time camera-shy bands. On their second Team Love release, Yonder Is The Clock, there are no photos and scant information about the band, similar to their eponymous first record for the label.

felice-yonderThere is no lack of creative, roots-imbued songs with thought-provoking lyrics though. Channeling Americana as direct descendants of The Band, at its most sparse, and vocally reminiscent of Bob Dylan, the group from the Catskills of three brothers and two friends runs through 13 songs that at times hearken back to what sounds like music that may have been around during the time of the Civil War.

With a core of guitar, accordion, fiddle, piano, drums and bass, augmented on occasion with several horns, they give their music and influences a fresh take, putting a personal stamp of a country-based style. And much like The Band the songs come first in all of the Felice Brothers arrangements.

Lyrically this album is obsessed with death. Perhaps that’s a bit too strong. But all the songs are about death, albeit some with an unnerving sense of humor. If you read the lyrics out loud it’s hard not to start laughing.

From the opener The Big Surprise:
Grab your shovel, let’s get to it
There’s no one way how to do it
And there will be no woes or sad goodbyes
On the day of the big surprise Continue reading The clock is ticking →

69 (albums) from 1969

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When I think of 1969, I think the end of the hippie dream, the fading of peace and love. After the violence of the Democratic convention in ’68, it appeared the Yippies were taking precedence over the original anti-war movement that so many of us bought into when we were at college.

the-band-the-band1Despite the triumph of Woodstock, the year ended on the foreboding trajedy of Altamont. It was the year the Beatles said farewell, another dream that was ending. So when I think about 1969, I don’t necessarily think of great albums first. But as Mojo Magazine points out in a recent special edition with a piece aptly titled 69 from 1969, which we acknowledge with the headline above, there was a motherlode of great music released in 1969. The music was changing and the early ’70s gave us another wave of great music as well with the dawn of the singer-songwriter era. But the decade’s last year included an impressive list of offerings.

You can find music just as good or better from any year in the ’60s. But since it’s 40 years on for this watershed year, we have a poll below in which you can vote. To refresh your memory, here are some of the highlights in no particular order:

jethro-tull-stand-upThe Band, The Band: Their second release and perhaps my favorite, along with Stage Fright, filled with songs that make up one of the foundations of today’s Americana movement.

Everybody Knows This Is Nowhere, Neil Young: His second, and although I for one liked the weak-selling debut, this unquestionably has several of his standards.
Led Zeppelin I, Led Zeppelin: Some prefer the second, released in late 1969, but this really had the bigger impact as far as influencing the music scene. It was hard rock, but quite different in some ways than anything before.
Stand Up, Jethro Tull: Arguably their best, predating the more progressive leanings of the band.

slystandA Salty Dog, Procol Harum: Speaking of prog, but really is it? Using classical ideas and instrumentation in a tasteful combination is more like it.
The Gilded Palace Of Sin, The Flying Burrito Brothers: Gene Clark, the Byrds and others had recorded tracks and some nearly full albums of what was to be called country rock, but Gram Parsons’ first project as a leader really set the stage for the Eagles and those who followed.
Tommy, the Who: Many cite other Who albums as superior to this and that’s probably true, but none had a bigger influence in the grand scheme of things.

Stand, Sly & the Family Stone: This is loaded with classic Sly songs, Everyday People, I Want To Take You Higher, Sing A Simple Song, You Can Make It If You Try.
Crosby, Stills & Nash, Crosby, Stills & Nash: Deja Vu had some better songs on it, but as a trio this was their highlight.
Dusty In Memphis, Dusty Springfield: A peak  from a remarkably consistent vocalist, career defining.
Blind Faith, Blind Faith: The one-off, with about 15 minutes of filler, still holds up as a solid outing with at least a couple of rock ‘n roll classics.
Abbey Road, the Beatles: A fitting sendoff, which was recorded after but released before their official swan song, Let It Be.
In A Silent Way, Miles Davis: I preferred the first real experiment into fusion, Miles In The Sky (1967), but there is no doubting the impact of this outing.
Clouds, Joni Mitchell: I always think of this as coming out earlier than 1969, but her career didn’t take off in earnest as a solo performer until the ’70s with Blue and For The Roses.
Then Play On, Fleetwood Mac: The last gasp of the original Mac with Peter Green. It may have been the last but it has some wonderful blues romps, including Oh Well.
Let It Bleed, the Rolling Stones: Their decided shift back to blues-influenced rock on Beggar’s Banquet is followed by incorporating country blues into the mix. One of their last great ones.

There are many others, the Allman Brothers’ debut; Fairport Convention’s Liege & Lief, not as well known in the States as the U.K., where it is a folk-rock staple; Santana’s and Chicago’s first. The list goes on.

What do you think? Vote for the best album of 1969.

This article is also available over at BabyBoom Review at this link.