Tag Archives: The Dead Weather

The 10 best for ’09




Last year I picked five albums I considered the best of the year. This time I’m upping it to 10 with a few bubbling under and some added tidbits.

Derek Trucks Band Already Free1. Already Free, The Derek Trucks Band: Traditional blues with modern sensibilities and influences from jazz, roots and world music, all played by an array of accomplished musicians and one of the best slide players of our time.

2. The Deep End, Christine Ohlman and Rebel Montez: Stellar songwriting, impassioned vocals and infectious grooves highlight Ohlman’s fifth album, which also features an impressive roster of guests. Her best yet.

3. Electric Dirt, Levon Helm: On this electrified followup to his comeback album Dirt Farmer, Helm blends traditional roots music with elements of folk, blues, soul and gospel. The mix of new original material and classic covers works perfectly. The arrangements are clean and to the point and musicianship impeccable.

 4. Middle Cyclone, Neko Case: A wonderful concoction of folk, rock, country and pop interlaced with enigmatic lyrics and penetrating melodies. All topped with Case’s crystal clear voice.

bebel-gilberto-all-in-one5. All In One, Bebel Gilberto: Her best since Tanta Tempo in 2000, this work is alive with beautiful songwriting and Gilberto’s gorgeous, hushed, cool vocals. Aided by her pals Carlhinos Brown and Didi Gutman among others.

6. Soul On Ten, Robben Ford: A ripping, rocking live set with two live-in-the-studio cuts, filled with Ford’s interesting blues-based originals, some classic covers and his unique take on blues, rock and jazz playing.

7. The List, Rosanne Cash: A love letter to her father Johnny and her audience, giving back songs from his list of 100 that he gave to his teen-age daughter. Arrangements and execution by Cash and husband John Levanthal are enthralling. Continue reading The 10 best for ’09

White’s Weather experiment




Jack White’s latest group The Dead Weather reaches highs that equal the best of two of his other projects, The White Stripes and The Raconteurs. Still, despite excellent musicianship, effective vocals and intriguing lyrics, the group falls a little short overall of sustaining those highs throughout its debut, Horehound, particularly in comparison with The Raconteurs’ two records.

horehound-albumAn interesting hard-edged, lyrically dark album, Horehound combines elements of Zeppelin-inspired hard rock with modern takes on alternative and blues themes. The group is at its best when Alison Mosshart, of The Kills, takes lead vocal duties as she does on nine of the 11 tracks.

Her voice is perfectly suited for the band’s style, sometimes evoking a female Robert Plant at others sounding reminiscent of Concrete Blonde’s Johnette Napolitano or for moments even a trace of P.J. Harvey. Comparisons aside, she retains a singular quality that only reminds one of those artists. Her performance here shows her off as one of modern rock’s best singers and front-women.

Things work best on the first two tracks, 60 Feet Tall and Hang You From The Heavens, both written by Mosshart and guitarist Dean Fertita of Queens Of The Stone Age. For this assemblage White plays drums on all but one track and The Raconteurs Jack Lawrence joins in on bass. Continue reading White’s Weather experiment