Tag Archives: Shelter Records

Leon lights up the Infinity



I couldn’t resist putting this video of Leon Russell from 1971 on top of a piece that actually is about a recent show Leon played at the Infinity Music Hall in Norfolk, Connecticut.

This show was taped in Los Angeles with his Shelter People band and a bunch of hippies in attendance dancing, listening and even preparing food, a very relaxed atmosphere. The song is one of the great rock ballads of all time, A Song For You.

His performance is masterful, the song is melodically beautiful and the lyrics poignant and penetrating. One of the great lyric ballads. There is another performance at the end of this piece of more recent vintage, same song. You’ll see Leon hasn’t lost much. To testify to that, he put on a brilliant show at the Infinity of good old Rock ‘n Roll with an excellent band, which included guitar virtuoso Chris Simmons.

This is the third time I’ve seen Leon, the first two in 1971 and 1972. The 1971 show was at the Fillmore East with Elton John opening, a show I’ve touched on a few times and that I need to write about in more detail. The ’72 show was at the Long Beach Arena (Calif.), when Leon was probably at the height of his popularity capable of filling large auditoriums. Later I would learn it was the show used for his classic live album, Leon Live. More on that one later, too.

At the Infinity, which has a relatively small stage, the right-hand side was taken up by Russell’s elaborate, almost montrous keyboard setup. No more grand piano as in the early ’70s. He gets acoustic sound from an electronic grand and it works out just fine. The audience can really only see the back of the keyboard setup, which is built in a large anvil case for traveling. The back is open and has hundreds of wires and connections so completely entwined with one another, you wonder how that actually works without a hitch and if anything went wrong how would a keyboard tech track down the problem. Continue reading Leon lights up the Infinity

From The Vaults: Hidden Treasure, No. 3



Of the three Kings – blues guitarists B.B., Albert and Freddie, all of whom I have great respect and admiration for – my favorite is Freddie. Freddie wrote and played on some of the great blues instrumentals of the late 1950s and early ’60s such as Hide Away and The Stumble, among others, and delivered signature versions of Have You Ever Loved A Woman, Five Long Years, I’m Tore Down, and his own Someday, After Awhile (You’ll Be Sorry).

fking-burglar-coverHis influence may very well reach the furthest of the three Kings with Eric Clapton and Peter Green among his disciples. And I played with him in a one-off concert in New York in the early ’70s. But more on that later.

After revitalizing his career in 1971 with Shelter Records for whom he recorded three outstanding albums in as many years with Leon Russell and friends – Getting Ready …, Texas Cannonball and Woman Across The River – Freddie cut a record in 1974 on RSO called Burglar, Hidden Treasure, No. 3 in our series. Nine of the 10 cuts were recorded in England with an all-star lineup of British musicians and produced by blues legend Mike Vernon, who also produced Treasure No. 1, Martha Velez’s Fiends & Angels. The remaining track was produced by Tom Dowd at Criteria Studios in Miami with Eric Clapton and his 461 Ocean Boulevard band guesting.

The Clapton track is a Mel London classic Sugar Sweet, a short uptempo funky romp that appears to feature Clapton on the intro solo and King taking his chorus toward the end of the tune. They sound very similar on this track. Continue reading From The Vaults: Hidden Treasure, No. 3