Tag Archives: Ry Cooder

Best of 2012

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There’s so much good new music out there. The best music of 2012:

1. Radio Music Society, Esperanza Spalding: Invigorating blend of R&B, funk and jazz infused with top-shelf musicianship and an enticing lyrical quality. This is perhaps her best yet. Spalding sports a fluid, proficient and pleasing voice that delivers her poignant lyricism over the engaging compositions. Get the Deluxe Edition with a Making of DVD.

2. Locked Down, Dr. John: Black Keys guitarist Dan Auerbach gets an inspiration to record with the N’Awlins legend and they whip up a spooky, funky, voodoo dose of swamp funk mixed with hard rock sensibilities. Some of the best from recent vintage of the good Doctor.

3. Tramp, Sharon Van Etten: One of the truly remarkable and original sounding records from a singer/songwriter whose dense, penetrating lyrics are revealed through inventive arrangements that complement her songwriting.

4. Sunken Condos, Donald Fagen: At his wry, funky, satirical and stinging best. Glossed with a Steely Dan sheen but it still swings like mad.

5. Everybody’s Talkin’, Tedeschi-Trucks Band: Live outing from one of the best ensembles around today. A beautiful combination of blues, rock and pop whipped together with Derek Trucks’ slide lacing through it and the marvelous Susan Tedeschi’s soulful, blazing voice on top. Not to be missed live.

6. Sun, Cat Power: Return of the elusive, mercurial and magnetic singer/songwriter. Her best since The Greatest.

 7. Election Special, Ry Cooder: Venerable American music stylist gives his biting political take on the present state of affairs with his usual entertaining, insightful views served with a helping of exquisite string playing.

8. Driving Towards The Daylight, Joe Bonamassa: Another edition in the evolving style and development of one of our best modern-day blues guitarists, who happens to have a soulful voice as well.

 9. The Lion, The Beast, The Beat, Grace Potter & The Nocturnals: From the opening strains of the remarkable title track through another set of inspired rock and pop, a step forward and upward from this New England-based group. Their roots are firmly planted in the fertile ground of the 1960s and early ’70s. All framing Potter’s gloriously wild and unrestrained voice.

10. Blues Funeral, Mark Lanegan: Love him for his various collaborations over the years, not the least with Isobel Campbell, but there is something dark and compelling about this bluesy and funereal outing that is addicting. Continue reading Best of 2012 →

Best of 2011 and early 2012

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Finally a list of favorite albums from 2011.  I’ve included the best albums of early 2012 as well. Here are the top albums from 2011:

The Black Keys El Camino1. El Camino, The Black Keys: No they haven’t lost their way. No, this isn’t a step back or a step to the side. This is infectious, rocking and raw, though not as raw as their early releases, tuneful and driving. They keep moving forward.

2. The Harrow & The Harvest, Gillian Welch and Let England Shake, P.J. Harvey: It’s a tie. Second choices each. Can’t separate them. Welch and her partner David Rowlings have produced an extraordinary duet album underpinned with roots guitar and banjo and enchanting vocals. The songs are spare country-folk pieces beautifully executed. As for Harvey, I’ve already mentioned this one in an early 2011 best-of list. It continues to grow on me if that’s possible. Highly thoughtful, enveloping musical statement featuring Harvey’s and her friends’ expert muscianship and musicality. There, I’ve used a form of music three times in that sentence.

4. I’m With You, The Red Hot Chili Peppers: Talk about an overlooked album. Oh, I’m sure it sold well. The only problem with this album is that it had to follow Stadium Arcadium, which was a career effort in creativity and popularity. Still, it’s more of the Peppers and the Peppers are quite something.

5. Hard Bargain, Emmylou Harris: This was my top choice for the early list. It’s dropped a few places, not because it isn’t worthy, because the later releases were just that good.

6. Tedeschi Trucks Band, Revelator: Another early choice that stood up. Blues, soul, R&B mix with Tedeschi’s heartfelt, soulful vocals on top and Trucks’ dynamic, penetrating slide running through it all. Continue reading Best of 2011 and early 2012 →

The Best of 2010

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Here’s my Top 10 for the past year along with a few bonus selections and various related categories:

Elton John Leon Russell The Union1. The Union, Elton John & Leon Russell: A collaboration made in heaven and one wonders why it took so long for these two to get together. The record brings out their similarities, differences and a wonderful melding of their talents with some of their best songwriting in years. A truly inspirational collection.

2. Band Of Joy, Robert Plant: Another entry on the road of Americana from the transplanted Led Zeppelin lead man. Almost every bit as good as The Union with interesting and well-executed covers as only Plant has been able to deliver in recent years.

3. I’m New Here, Gil Scott-Heron: 28 minutes of bliss from the commander of narrative R&B. Scott-Heron is still here and as relevant as ever.

4. San Patricio, The Chieftains with Ry Cooder: A mythical adventure, cloaked in reality, that brings together Mexican, Celtic and American blues and country into one steaming pot of influences.

5. Tears, Lies & Alibis, Shelby Lynne: Stripped-down Shelby Lynne and she greatly benefits from the sparse arrangements putting the emphasis on her singing and songwriting.

6. Have One On Me, Joanna Newsom: It took a while to warm to this unusual songwriter with the reedy, young girl voice but this triple album is captivating and expressive.

7. The Stanley Clarke Band, Stanley Clarke: A bass hero for the ages re-engages with his jazz-rock roots on new and revisited material with a sympathetic and proficient group of musicians.

Esperanza Spalding Chamber Music Cover8. Chamber Music Society, Esperanza Spalding: One of the most unusual and ultimately satisfying collection of songs from a performer/composer who continually surprises and delivers.

9. Grace Potter & The Nocturnals (self-titled): Fourth outing from a group with all the signs of breaking out big-time and it appears they’re finally starting to catch on in a bigger way.

10 Naked Honest, Kala Farnham: Honest, heartfelt, poignant lyricism backed with prodigious keyboard chops and crystal clear vocal styling from this rising solo artist. Continue reading The Best of 2010 →

Three for 2010: Chieftains, Farnham & Beck

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In the first half of the year, I’ve been listening to three CDs quite a bit, all beautifully executed but quite different from one another. They are easily three of the best records from the first six months of 2010 and three you should give a listen.

Chieftains San PatricioThe Chieftains’ San Patricio gives a featured billing to Ry Cooder, an occasional collaborator with the Irish group who writes, plays, sings, produces and arranges on this unusual yet intriguing mix of Celtic and Mexican music based on a fictionalized version of the story of Irish soldiers fighting with the Mexican army.

San Patricio is somewhat reminiscent of Santiago, another Chieftains’ effort from 1996 on which they blended Celtic sensibilities with Galician music from northwest Spain.

The group showed the direct link between the two musical heritages while including collaborators Cooder, Linda Ronstadt and Los Lobos, among many others.

The music on San Patricio is joyous, celebratory, heartfelt, forboding and ultimately upbeat and forward moving. The highlights are many, including the opener La Iguana with sensuous vocalist Lila Downs, who also appears on El Relampago; Ronstadt’s tender La Orilla de Un Palmar; the Cooder compositions The Sands Of Mexico and Cancion Mixteca (Intro) along with the song proper by Jose Lopez Alavez; March To Battle (Across The Rio Grande), which features a narration by Liam Neeson; and traditional numbers that feature Los Folkloristas and Los Camperos deValles.

It’s all a rich tapestry of the blending of these two musical styles that share so much in common.

The Irish soldiers, led by Captain John Riley during the war with Mexico (1846-48) were discriminated against and treated brutally by the American troops. So much so they defected to join a people with whom they had much more in common.

Although the thread of story on this record is entirely fictitious, there is no doubt music must have been a big part of the Irish soldiers’ experience as it is imbued so deeply in both cultures. A wonderfully realized example of what we now call World Music but is simply an inspiring work under any title. Continue reading Three for 2010: Chieftains, Farnham & Beck →

Jackie and Ry at The Ash Grove

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As I’ve mentioned a few times in the past year I’m an avid fan of Wolfgang’s Vault.

jackie-deshannon-early-with-guitar-smallThe site never ceases to surprise me by unearthing rare, interesting and previously unavailable concerts from its vast treasure hold.

This one is truly an unexpected delight, Jackie DeShannon and Ry Cooder playing as an acoustic duo at the legendary Ash Grove in Los Angeles on September 3, 1963, long before either had achieved any type of widespread notoriety. DeShannon was 19 at the time and although she had released a string of singles, it was before her opening stint on the first Beatles tour of the U.S. in 1964 and her first hits, Needles & Pins and When You Walk In The Room.

ry-cooder-youngI’ve come to really love her earthy, soulful and gospel-inspired vocals from this era of her career. As for Cooder, he’s 16, yet still shows an amazing virtuosity on acoustic guitar. One of the great players of our time.

Despite being a fan of both artists, I never knew this show existed on tape or that these two made any type of collaboration during this period, which is what makes the Vault such a valuable resource and an unending source of enjoyment. Below is a track from the show. The concert can be accessed here.

To listen to the entire show, you’ll need to register at the site, which is an easy process and free.

It’s that time of year

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I love the question Adam asked on his This might hurt blog a couple of weeks ago about where you bought your first record. In that spirit, and in the spirit of Mojo mag, which asks these types of things all the time, I’ll list my top five albums of the year and ask you to join in. Don’t feel confined to just five. I like hearing about what other people are listening to.

acid-tongueThe best album I’ve heard this year has to be Acid Tongue by Jenny Lewis. It wasn’t reviewed or received as well as her first solo album with the Watson Sisters, Rabbit Fur Coat, but it’s better. The first was very unusual, stark, real basic, a nice blend of country and pop and she shared the bill. Acid Tongue is more conventional with a band or actually two, sort of, bands but it’s executed beautifully and her songwriting is in great shape.

It helps that I saw her play live earlier this fall at the Shubert in New Haven with band members who played on the album, including her boyfriend/producer. I love Carpetbaggers with Elvis Costello, but the topper is The Next Messiah, a nine-minute romp that rocks. She opened with that in New Haven. It’s just a wonderful record.

After that, Steve Winwood’s Nine Lives, his best selling album in years and back on a major label, Columbia. He got quite a boost out of playing at MSG with Clapton in February but you know, he’s been playing live consistently with guitarist Jose Neto with few breaks since his return album About Time in 2003.

iflatheadI, Flathead by Ry Cooder, which has some serious rockers and, of course, exquisitely tasteful playing, with an early countrified rock ‘n roll feel. It’s supposed to be the third in a trilogy, which started with Chavez Ravine, the best of the three.

Shelby Lynne’s Just A Little Lovin’, a semi tribute to Dusty Springfield, who is one of my all-time favs. She does six Springfield tunes, very low key and under produced, which really works. Also included is How Can I Be Sure, the Rascals song.

esperanzaThe fifth is Esperanza, by Esperanza Spalding, an amazing female bassist just out of Berklee in Boston, my old school by the way.

So let’s hear what you liked this year. Just new releases for now. We’ll look at reissues in a later post.