Them Crooked Vultures is a very heavy band. Not heavy as in heavy metal, heavy as in heavy hard rock.
Featuring three hard rock virtuosos in Led Zeppelin bassist John Paul Jones, Dave Grohl, from Foo Fighters, who switches from guitar back to drums, his spot in Nirvana, and Josh Homme of Queens Of The Stone Age on guitar and lead vocals, the group exhibits a competency and energy rarely found in the genre today.
Their self-titled debut album consists of songs that are virtually all guitar riff driven over a furious and powerful rhythm section, adorned with dark, devilish, often impenetrable (sometimes penetrable) lyrics. With titles such as No One Loves Me & Neither Do I, Dead End Friends, Reptiles, Warsaw Or The First Breath You Take After You Give Up and Caligulove, it’s hard to imagine anything else.
The grinding, churning rhythm section not only shows how adept Grohl is back on the drums, but also gives a strong indication of Jones’ contribution to Zeppelin, which was often lost or overlooked during that band’s heyday.
Homme is fully capable of handling the vocal and lead guitar duties, although they did add a second guitarist, Alain Johannes, on their recent Saturday Night Live appearance, during which they played Mind Eraser, No Chaser, a tune that might be termed their most accessible or commercial to crossover audiences, although nothing on the album really falls entirely in that vein, and New Fang, the group’s first single, with its complicated guitar rhythm over which Homme sings a completely different melodic structure, something always to take note of.
The group hits a three-song streak in the middle of their the album that is really quite brilliant in Elephants, Scumbag Blues and Bandoliers. In fact, by the fifth track, Elephants, the listener starts to realize how much Homme can sound like Jim Morrison. And this likens the overall sound of the band to The Doors as a power trio, minus Ray Manzarek’s keyboards. Continue reading Vulture sighting
An interesting hard-edged, lyrically dark album, Horehound combines elements of Zeppelin-inspired hard rock with modern takes on alternative and blues themes. The group is at its best when Alison Mosshart, of The Kills, takes lead vocal duties as she does on nine of the 11 tracks.