Not for the feint of heart. An unrelenting trip through some of the best guitar solos of the late 60s and early 70s (some actually recorded later), with a few respites, notably some pysch blues-rock and N’Awlins tunes from Dr. John. Otherwise an onslaught of blues-rock guitar solos to quench your appetite.
Tag Archives: Peter Green
Mick Taylor finally arrives in America
Last July, blues guitarist Mick Taylor was scheduled to play four shows in New England during an American Tour, his first gigs in the U.S. since 2007. The entire tour was canceled, though, after Taylor was diagnosed with a blood clot in his chest and pleurisy.
Recovered and looking healthy, Taylor rescheduled the tour for this spring and arrived in Boston Wednesday night. His five-piece group, which includes notable keyboardist Max Middleton, played in Northampton Thursday at the Iron Horse Music Hall to an enthusiastic and rowdy capacity crowd.
Though the band was jet-lagged, as Taylor mentioned, they shook off the rust and ran through a 1 1/2-hour set that showcased Taylor’s brilliant single-string and slide guitar work. The outfit was a bit on the loose side but still rocked hard throughout. Taylor’s voice, which is pleasing if not technically adept, carried off some of his own best-known tunes to his loyal following and some other more widely-known material.
Taylor, best known as the 17-year-old wunderkind of John Mayall’s Bluesbreakers in 1968-69, replacing Peter Green who departed for Fleetwood Mac, or as the ideal replacement for the fired Brian Jones in the Rolling Stones, giving that band one of its most accomplished lineups, is now in his early 60s and bit more rotund than that slim, young, baby-faced guitar player from what was a magical time for blues musicians. But he seemed happy, ready to please and rocking throughout his group’s set, showing alternately tender and fiery musicianship as he soloed frequently. Continue reading Mick Taylor finally arrives in America
Mayall still living in the blues
John Mayall has been an ambassador of the blues for parts of seven decades. At 76, Mayall is still rocking and commandeering yet another blues outfit of accomplished musicians.
At the Infinity Music Hall in Norfolk Sunday, Mayall ran through a two-hour set after quietly selling CDs and graciously signing anything from tickets to album covers in the club’s ticket office room. After the show he hustled through the crowd to get back to his display table with CDs of his latest album Tough.
This is a busy and active man for 76 and he still sings in his unique high-pitched, blues-flavored style, plays a mean boogie-leaning piano, adds a 12-string guitar on one tune in this night’s set and has probably never sounded better on harmonica, which he played frequently during the show.
Although many cite Alexis Korner and Cyril Davies as true fathers of the British Blues, it’s Mayall that has that moniker associated with him and none deserves it more.
He brought attention more than any other Brit to the wealth of American bluesman in the 1960s who were being virtually ignored by the U.S. public, and with a string of quality lineups through the ’60s and ’70s helped reestablish blues in this country as well as the U.K., being at the forefront of electrified and modern blues interpretation.
Don’t forget the guitar players who passed through Mayall’s Bluesbreakers: Eric Clapton, on the original Bluesbreakers album often dubbed Beano; Peter Green, founding member of Fleetwood Mac; and Mick Taylor, later a Rolling Stone, all played with The Bluesbreakers, learning and trendsetting with Mayall as the father figure.
Was there a more revolutionary electric blues album than Beano for guitarists? Wasn’t Green singled out by American bluesman, in particular B.B. King, as the one who scared them the most as a player.
And Taylor played in arguably the Stones’ best era or at least last, great era as the world’s greatest rock ‘n roll band. Continue reading Mayall still living in the blues