Tag Archives: Joe Bonamassa

Best of 2012

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There’s so much good new music out there. The best music of 2012:

1. Radio Music Society, Esperanza Spalding: Invigorating blend of R&B, funk and jazz infused with top-shelf musicianship and an enticing lyrical quality. This is perhaps her best yet. Spalding sports a fluid, proficient and pleasing voice that delivers her poignant lyricism over the engaging compositions. Get the Deluxe Edition with a Making of DVD.

2. Locked Down, Dr. John: Black Keys guitarist Dan Auerbach gets an inspiration to record with the N’Awlins legend and they whip up a spooky, funky, voodoo dose of swamp funk mixed with hard rock sensibilities. Some of the best from recent vintage of the good Doctor.

3. Tramp, Sharon Van Etten: One of the truly remarkable and original sounding records from a singer/songwriter whose dense, penetrating lyrics are revealed through inventive arrangements that complement her songwriting.

4. Sunken Condos, Donald Fagen: At his wry, funky, satirical and stinging best. Glossed with a Steely Dan sheen but it still swings like mad.

5. Everybody’s Talkin’, Tedeschi-Trucks Band: Live outing from one of the best ensembles around today. A beautiful combination of blues, rock and pop whipped together with Derek Trucks’ slide lacing through it and the marvelous Susan Tedeschi’s soulful, blazing voice on top. Not to be missed live.

6. Sun, Cat Power: Return of the elusive, mercurial and magnetic singer/songwriter. Her best since The Greatest.

 7. Election Special, Ry Cooder: Venerable American music stylist gives his biting political take on the present state of affairs with his usual entertaining, insightful views served with a helping of exquisite string playing.

8. Driving Towards The Daylight, Joe Bonamassa: Another edition in the evolving style and development of one of our best modern-day blues guitarists, who happens to have a soulful voice as well.

 9. The Lion, The Beast, The Beat, Grace Potter & The Nocturnals: From the opening strains of the remarkable title track through another set of inspired rock and pop, a step forward and upward from this New England-based group. Their roots are firmly planted in the fertile ground of the 1960s and early ’70s. All framing Potter’s gloriously wild and unrestrained voice.

10. Blues Funeral, Mark Lanegan: Love him for his various collaborations over the years, not the least with Isobel Campbell, but there is something dark and compelling about this bluesy and funereal outing that is addicting. Continue reading Best of 2012 →

Joe Bonamassa at Symphony Hall

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Joe Bonamassa and band rocking out at Symphony Hall in Springfield, Mass., on Tuesday night.
Bonamassa used a variety of guitars including what appears to be this sweet sounding Gibson 339, style of a 335 in a body the size of a Les Paul, or is it a 335?

The last time we had seen Joe Bonamassa was about five years ago in New London, Conn., at the Garde Arts Center with Sam Bush and his band playing in support of the young blues master. A lot has transpired since then.

Bonamassa can fill a much larger venue now because of his relentless touring of the States and Europe and issuing one, if not, two albums a year. His special blend of blues-oriented rock also routinely jumps to the top of the Blues charts on release and deservedly so.

Bonamassa was in Springfield, Mass., Tuesday at Symphony Hall, a concert hall evidently not built for rock, but was suitable nonetheless as the sound was outstanding during the two-hour-plus show with only Bonamassa and his band of bassist Carmen Rojas, keyboardist Rick Melick and drummer Tal Bergman playing, no opening act. Continue reading Joe Bonamassa at Symphony Hall →