Tag Archives: Jack White

Best of 2012



There’s so much good new music out there. The best music of 2012:

1. Radio Music Society, Esperanza Spalding: Invigorating blend of R&B, funk and jazz infused with top-shelf musicianship and an enticing lyrical quality. This is perhaps her best yet. Spalding sports a fluid, proficient and pleasing voice that delivers her poignant lyricism over the engaging compositions. Get the Deluxe Edition with a Making of DVD.

2. Locked Down, Dr. John: Black Keys guitarist Dan Auerbach gets an inspiration to record with the N’Awlins legend and they whip up a spooky, funky, voodoo dose of swamp funk mixed with hard rock sensibilities. Some of the best from recent vintage of the good Doctor.

3. Tramp, Sharon Van Etten: One of the truly remarkable and original sounding records from a singer/songwriter whose dense, penetrating lyrics are revealed through inventive arrangements that complement her songwriting.

4. Sunken Condos, Donald Fagen: At his wry, funky, satirical and stinging best. Glossed with a Steely Dan sheen but it still swings like mad.

5. Everybody’s Talkin’, Tedeschi-Trucks Band: Live outing from one of the best ensembles around today. A beautiful combination of blues, rock and pop whipped together with Derek Trucks’ slide lacing through it and the marvelous Susan Tedeschi’s soulful, blazing voice on top. Not to be missed live.

6. Sun, Cat Power: Return of the elusive, mercurial and magnetic singer/songwriter. Her best since The Greatest.

 7. Election Special, Ry Cooder: Venerable American music stylist gives his biting political take on the present state of affairs with his usual entertaining, insightful views served with a helping of exquisite string playing.

8. Driving Towards The Daylight, Joe Bonamassa: Another edition in the evolving style and development of one of our best modern-day blues guitarists, who happens to have a soulful voice as well.

 9. The Lion, The Beast, The Beat, Grace Potter & The Nocturnals: From the opening strains of the remarkable title track through another set of inspired rock and pop, a step forward and upward from this New England-based group. Their roots are firmly planted in the fertile ground of the 1960s and early ’70s. All framing Potter’s gloriously wild and unrestrained voice.

10. Blues Funeral, Mark Lanegan: Love him for his various collaborations over the years, not the least with Isobel Campbell, but there is something dark and compelling about this bluesy and funereal outing that is addicting. Continue reading Best of 2012

Best of 2011 so far



Best 10, plus one, I’ve heard this year:

1. Hard Bargain, Emmylou Harris: A longtime fan, I was still stunned by the beauty and poignancy of this record. Dark but not despairing lyrics that hold a wealth of experience and ring Emmylou Harris Hard Bargaintrue. Spare instrumentation expertly chosen, and a clear, full production by Jay Joyce. Harris, whose voice — gorgeous and penetrating —  is one of the best in not only country but contemporary music today, has consistently released quality albums, but this is the best of recent vintage.

2. Revelator, Tedeschi Trucks Band: A delectable brew of blues, R&B and southern soul. Tedeschi’s voice is suited well for the material and Trucks is stellar on his signature slide or single string guitar playing. Augmented by a fine horn section, the material, from slow burners to infectious grooves, brings out the best in the musicians with opener Come See About Me, Until You Remember and Learn How To Love standouts from a quality set.

3. Buddy Miller’s The Majestic Silver Strings: Miller leads a dream guitar band of Marc Ribot, Bill Frisell and Greg Leisz with guest singers, including Ann McCrary, Patty Griffin, Lee Ann Womack, Emmylou Harris and Shawn Colvin through a roots-style outing with western, country, jazz and rock overtones. The playing is a joyful listen, as expected, on material in part from Lefty Frizzell, Libby Cotton, Tex Owens and traditional pieces. 

4. Mayhem, Imelda May: May’s follow-up to the big success of debut Love Tattoo sees her stretching out from her rock-a-billy base to show jazz and R&B leanings. Don’t worry there’s plenty of ’50s and early ’60s rocking  material on hand. She’s been attracting a lot of attention for her collaborations with Jeff Beck in the past two years, but her own steamy, proficient delivery shines here.

5. Let England Shake, PJ Harvey: With each new album it seems Harvey perfects her playing on an instrument or learns a new one and for this one it’s autoharp, last seen with the Lovin’ Spoonful in the late 1960s. Much has been made of the lyrics on this record being more outwardly directed and socially conscious rather than a reflection or Harvey’s inner self. That’s true, but it’s Harvey’s wonderful vocals, melodies, instrumentation, arrangements and production that make this another compelling addition to her strong catalogue.

Continue reading Best of 2011 so far

The 10 best for ’09




Last year I picked five albums I considered the best of the year. This time I’m upping it to 10 with a few bubbling under and some added tidbits.

Derek Trucks Band Already Free1. Already Free, The Derek Trucks Band: Traditional blues with modern sensibilities and influences from jazz, roots and world music, all played by an array of accomplished musicians and one of the best slide players of our time.

2. The Deep End, Christine Ohlman and Rebel Montez: Stellar songwriting, impassioned vocals and infectious grooves highlight Ohlman’s fifth album, which also features an impressive roster of guests. Her best yet.

3. Electric Dirt, Levon Helm: On this electrified followup to his comeback album Dirt Farmer, Helm blends traditional roots music with elements of folk, blues, soul and gospel. The mix of new original material and classic covers works perfectly. The arrangements are clean and to the point and musicianship impeccable.

 4. Middle Cyclone, Neko Case: A wonderful concoction of folk, rock, country and pop interlaced with enigmatic lyrics and penetrating melodies. All topped with Case’s crystal clear voice.

bebel-gilberto-all-in-one5. All In One, Bebel Gilberto: Her best since Tanta Tempo in 2000, this work is alive with beautiful songwriting and Gilberto’s gorgeous, hushed, cool vocals. Aided by her pals Carlhinos Brown and Didi Gutman among others.

6. Soul On Ten, Robben Ford: A ripping, rocking live set with two live-in-the-studio cuts, filled with Ford’s interesting blues-based originals, some classic covers and his unique take on blues, rock and jazz playing.

7. The List, Rosanne Cash: A love letter to her father Johnny and her audience, giving back songs from his list of 100 that he gave to his teen-age daughter. Arrangements and execution by Cash and husband John Levanthal are enthralling. Continue reading The 10 best for ’09

White’s Weather experiment




Jack White’s latest group The Dead Weather reaches highs that equal the best of two of his other projects, The White Stripes and The Raconteurs. Still, despite excellent musicianship, effective vocals and intriguing lyrics, the group falls a little short overall of sustaining those highs throughout its debut, Horehound, particularly in comparison with The Raconteurs’ two records.

horehound-albumAn interesting hard-edged, lyrically dark album, Horehound combines elements of Zeppelin-inspired hard rock with modern takes on alternative and blues themes. The group is at its best when Alison Mosshart, of The Kills, takes lead vocal duties as she does on nine of the 11 tracks.

Her voice is perfectly suited for the band’s style, sometimes evoking a female Robert Plant at others sounding reminiscent of Concrete Blonde’s Johnette Napolitano or for moments even a trace of P.J. Harvey. Comparisons aside, she retains a singular quality that only reminds one of those artists. Her performance here shows her off as one of modern rock’s best singers and front-women.

Things work best on the first two tracks, 60 Feet Tall and Hang You From The Heavens, both written by Mosshart and guitarist Dean Fertita of Queens Of The Stone Age. For this assemblage White plays drums on all but one track and The Raconteurs Jack Lawrence joins in on bass. Continue reading White’s Weather experiment