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Best of 2011 so far

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Best 10, plus one, I’ve heard this year:

1. Hard Bargain, Emmylou Harris: A longtime fan, I was still stunned by the beauty and poignancy of this record. Dark but not despairing lyrics that hold a wealth of experience and ring Emmylou Harris Hard Bargaintrue. Spare instrumentation expertly chosen, and a clear, full production by Jay Joyce. Harris, whose voice — gorgeous and penetrating —  is one of the best in not only country but contemporary music today, has consistently released quality albums, but this is the best of recent vintage.

2. Revelator, Tedeschi Trucks Band: A delectable brew of blues, R&B and southern soul. Tedeschi’s voice is suited well for the material and Trucks is stellar on his signature slide or single string guitar playing. Augmented by a fine horn section, the material, from slow burners to infectious grooves, brings out the best in the musicians with opener Come See About Me, Until You Remember and Learn How To Love standouts from a quality set.

3. Buddy Miller’s The Majestic Silver Strings: Miller leads a dream guitar band of Marc Ribot, Bill Frisell and Greg Leisz with guest singers, including Ann McCrary, Patty Griffin, Lee Ann Womack, Emmylou Harris and Shawn Colvin through a roots-style outing with western, country, jazz and rock overtones. The playing is a joyful listen, as expected, on material in part from Lefty Frizzell, Libby Cotton, Tex Owens and traditional pieces. 

4. Mayhem, Imelda May: May’s follow-up to the big success of debut Love Tattoo sees her stretching out from her rock-a-billy base to show jazz and R&B leanings. Don’t worry there’s plenty of ’50s and early ’60s rocking  material on hand. She’s been attracting a lot of attention for her collaborations with Jeff Beck in the past two years, but her own steamy, proficient delivery shines here.

5. Let England Shake, PJ Harvey: With each new album it seems Harvey perfects her playing on an instrument or learns a new one and for this one it’s autoharp, last seen with the Lovin’ Spoonful in the late 1960s. Much has been made of the lyrics on this record being more outwardly directed and socially conscious rather than a reflection or Harvey’s inner self. That’s true, but it’s Harvey’s wonderful vocals, melodies, instrumentation, arrangements and production that make this another compelling addition to her strong catalogue.

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Back to the blues

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Susan Tedeschi’s Back To The River, released late last year, quickly moved to the top of the Billboard Blues chart and remains near the top after nine weeks. But it appears to have been virtually ignored by most of the major rock magazines.

That’s too bad because as much as this is a blues outing, it’s a smokin’ rock ‘n roll record as well and another to add to the best of 2008. With the centerpiece Tedeschi’s blues drenched vocals, River is one of her best records and shows how she not only uses her considerable playing and singing abilities but also her strong collaborative songwriting skills.

stedeschi-coverAt first. Tedeschi’s voice is reminiscent of some great blues and rock singers of recent history such as Bonnie Raitt and Bonnie Bramlett, but the more you listen, the more you discover her unique approach, phrasing and a rough, sometimes raspy edge to a prodigious vocal range and quality that is rarely rivaled among female singers today.

 She wrote the opening track, Talking About, with Doyle Bramhall II and husband Derek Trucks, both of whom have recently played in the Eric Clapton band, most notably at the 2007 Chicago Crossroads concert that included a set with Steve Winwood. Both are extraordinary slide players and the tune sets the tone for the album, which is infused with infectious riffs, gritty blues melodies and virtuoso playing throughout.

Trucks, who has his own band and also plays with the Allman Brothers, co-wrote two other tracks, including Butterfly, which is one of the more soul-flavored tunes with a riff and feel that reminds one a little of Sly Stone.

John Leventhal (two songs), Tony Joe White, Sonya Kitchell and Gary Louris are among the other co-writers. Can’t Sleep At Night is Tedeschi’s own and she covers Allain Toussaint’s There’s A Break In The Road.

Bramhall’s soloing and lead lines, which Tedeschi’s vocal doubles at times, over the burning groove of Talking About give way to the R&B ballad 700 Houses, showcasing a more tender side to Tedeschi’s voice, underscored by hopeful lyrics, Trucks’ melodic lines on slide and tasteful horns.

Tedeschi’s core band of guitarist Dave Yoke, keyboard player Matt Slocum, Ted Pecchio, bass, and drummer Tyler Greenwell lays down deep grooves as witnessed by the wah-wah driven title track. Tedeschi takes lead guitar outings on six of the tracks, including River, lending a nice contrast to the Bramhall-Trucks tandem with her clean Telecaster tone.

The album doesn’t have a weak track on it. From the strutting groove of Love Will to a soul-inflected People, the heartfelt Revolutionize Your Soul and the driving hidden/bonus track 99 Pounds, it clearly reinforces Tedeschi’s position as a premier singer, songwriter and player.