Tag Archives: Berklee School of Music

Concerts Vol. 9: Taj Mahal

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Earlier this summer, I saw Taj Mahal in concert with Bonnie Raitt on the impressive Bon Taj Roulet tour, the third time I’ve seen Taj.

Taj Mahal 68474-5The second time was in the spring of 1969 at the improbable club in New Haven, the Stone Balloon, fashioned after Greenwich’s Village’s Cafe Au Go Go.

As mentioned in a post on Jethro Tull, who had played the club in February, ’69, the Balloon wasn’t open long, less than a year, but booked a plethora of rising stars from Tull to Taj to Neil Young. Quite a venue situated under a Pegnataro’s Supermarket with a back entrance from the super’s parking lot.

Taj had released two albums by this time, his self-titled debut and the classic Natch’l Blues, which was released the previous summer. He was touring with his original band that included the incomparable Jesse Ed Davis on lead guitar, Chuck Blackwell on drums and bassist Gary Gilmore.

The Stone Balloon was tiny. We went to see them on a Saturday night, some weeks after the Tull show, and Taj and his band were in fine form playing a mix of tunes from the first two albums. They were not as loud as Tull (not that I didn’t like Ian Anderson & Co.), instead perfectly suited to the room size and Davis was mesmerizing.

Of course, Taj wasn’t too shabby either. He had a beautiful take on modern country blues with his unique and refreshing originals mixed with classics like Good Morning Little Schoolgirl, Corrina and You Don’t Miss Your Water (‘Til Your Well Runs Dry). Continue reading Concerts Vol. 9: Taj Mahal →

Concerts Vol. 8: The Doors

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In the spring of 1968 I was studying at Berklee School of Music in Boston and going back to Connecticut on weekends to rehearse and play out on the club circuit with Pulse.

jim-morrison-live-1-smallI lived on upper Commonwealth Avenue, not far from the dorm I had lived in when I was at Boston University, with two female roommates: Julie and Betty. They had a small two-room apartment. When you entered there was a living room to the right, a bedroom to the left and a small kitchen and bath in the center of the apartment.

Although Love Me Two Times by The Doors was a song I liked and that Pulse had covered in some of its early gigs in the beginning of 1968, I was not really a Doors fan. Our singer, Carl Donnell (Augusto) was though and he convinced us to put the interesting take on a blues shuffle tune in our set.

Carl recently told me how Peter Neri and I came to him with a Cream album and turned him on to the English blues-rock group, but was disheartened when he brought the first Doors album to a rehersal and we were pretty much indifferent to it. That raised a laugh. Continue reading Concerts Vol. 8: The Doors →

Concerts Vol. 6: Jimmy Page and The Yardbirds

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A few weeks before leaving for Boston University, and later Berklee School of Music, in August, 1967, and after the Bram Rigg Set had broken up, my good friend Beau Segal and I drove down to New York to see the Yardbirds. Beau was the one who found out about the show and it was his treat, sending me off to school in style.

yardbirds-afroJeff Beck had left the Yardbirds and now Jimmy Page was the sole guitar player in the group. We had loved the single issued earlier in the year, Little Games, and most of the subsequent album release by the same name, although the U.S. release is a bit of a hodge-podge and left out some key tracks that appeared on the U.K. album. The double CD release of the early ’90s and then a later reissue rectified all this by including just about everything from that period.

But I couldn’t get enough of the shuffle feel of the single with Page’s mesmerizing rhythm guitar part and biting lead in the middle section. Later the next year, my group Pulse came up with a song with a similar feel that Beau wrote. I still have his original lyric sheet. It has no title on it but we used to refer to it as If You Love Me Today, and we played it in the second incarnation of Pulse, which was a four-piece with Harvey Thurott on second guitar.

The Yardbirds were playing at the Village Theater in New York on August 25, about six months later it would become Fillmore East. We didn’t know then that it was actually a rather momentous occasion because this was the show at which Page would get the inspiration, to put it politely, for one of Led Zeppelin’s signature tunes from their first album, Dazed And Confused. Continue reading Concerts Vol. 6: Jimmy Page and The Yardbirds →