Tag Archives: rock

Woodstock Extras




It couldn’t have been more than two hours after writing Woodstock revisited and stating it was unlikely I would be purchasing the latest re-release of the rock festival that I walked into Costco and found a copy of the 40th anniversary Ultimate Collector’s Edition at a price I wasn’t expecting. So low, that is. Of course, I picked it up and bought it.

woodstock-extras-discMy main interest was not in the Director’s Cut, which I had bought back in the early ’90s, but in the Extras disc, Woodstock: Untold Stories. It includes about three hours of material with nearly 150 minutes of previously unreleased performances, the rest consisting of documentary video segments.

The inclusion of the Paul Butterfield Blues Band was the main attraction for me, despite the band performing only one song, but the disc also includes The Who, Jefferson Airplane, Santana, Joe Cocker and first-time appearances on a Woodstock disc by Johnny Winter and Creedence Clearwater Rivival.

The viewer will have to sit through a somewhat painful first half of the disc though to get to the good bits. That may affect your decision on buying the set at all. You can skip over most of that of course, but it does reduce the portion of the footage that will draw you back for repeated viewings. Continue reading Woodstock Extras

Neil and Macca




Speaking of The Beatles. If you haven’t seen it yet, check out the video below, which is a combination of the sublime and the surreal.

Paul McCartney joined Neil Young onstage at his concert in Hyde Park, London, a few days ago for Young’s closing number, The Beatles’ A Day In The Life. McCartney joins in mid-song to pick up the singing on the bit he wrote of The Beatles classic from Sgt. Pepper’s, a song with which Young evidently has been closing recent shows.

The sometimes ragged collaboration finishes with Young literally ripping the strings off his Les Paul and then joining Macca at the vibraphone for a little one-note finale or something like that.


The Beatles remastered




As reported earlier this spring, The Beatles catalogue on CD has been remastered for the first time since the 1980s and will be released on 9/9/09. Hmm. No. 9, No. 9, No. 9. In another coincidence of marketing strategy, a new Rock Band video game version featuring The Beatles will be released on the same day.

beatles-please-please-meFor details about the project, including specific mastering techniques, as well as a wealth of other information on The Beatles, check out Beatles-History.net.

As I often react to these type of announcements, I was rather resistant to yet another wave of remastering by a major act, particularly since the results of these re-releases has been mixed at best in the past 10 years. Many audiophiles and purists are now claiming the original CD releases — you know the ones we sold, traded in or in some cases some collectors threw out! — actually sound better than the remastered ones because they came from better sources.

Add to this that I, for one, believe the original Beatles CDs from the 1980s, sound rather good. When first released I was a bit miffed that all the early albums were mastered in mono, since I grew up with the stereo versions no matter how retched they were. Continue reading The Beatles remastered

John Sebastian’s good time music




John Sebastian has always been a storyteller, particularly in his live solo shows, which he’s been performing now for about 40 years.

john-sebastian-on-stage-small2Sebastian’s charming and engaging style of entertaining creates an immediate connection with his audience as he mixes interesting anecdotes from his career with a type of humor that is so easy to relate to, especially for his contemporaries as he puts it.

Sebastian was at his best on Friday night at the Infinity Music Hall in Norfolk, Connecticut, threading a narrative throughout his performance that started with his upbringing in Greenwich Village through his formative days with the Lovin’ Spoonful, who enjoyed tremendous success on the singles charts and produced a string of memorable albums in the mid-to-late 1960s.

Before moving on to Sebastian’s set, I have to note the venue, which is quite remarkable in this day and age of mega-stars and large arena rock. Infinity, at one time a supermarket, is on the main street in Norfolk, Route 44. After renovation, it now houses a beautiful bistro at street level with a box office, waiting area and small bar off to the side of the restaurant.

Up a long flight of stairs you find the music hall, which is in a large room with a ceiling perhaps 50 feet high, if not higher, above a small proscenium stage framed in an ornate arch. Continue reading John Sebastian’s good time music

Neil Young Archives: The Concerts



Three live performances are included in the Neil Young Archives Vol. 1 box set, two of which were actually released in 2008. Of course, that doesn’t include live video footage you can find in hidden tracks and the video log, usually tucked underneath track listing screens, throughout the set.

neil-young-riverboatIf you pre-ordered the set, you also received another previously released concert on DVD/CD, Sugar Mountain Live At the Canterbury House 1968, which I wrote about back in December in this post. Also in that piece, I mentioned a bit about one of the other discs, Live At Massey Hall 1971, which I picked up last year. Live At The Fillmore East 1970 with Crazy Horse and Live At The Riverboat 1969 are the other two performances in the set.

Suffice to say Massey Hall is Young’s best overall performance of these discs. He appears to have fully realized himself as a solo performer by this time despite touring with a rather serious back injury and playing in a brace. But he had found the perfect balance between polished performer and humorous and engaging stage personality.

As is revealed in an Archives meeting elsewhere in the set, he intended to release a live acoustic album from this tour at the time but it was ditched when sessions for the Harvest album began in February 1971. Continue reading Neil Young Archives: The Concerts

Neko in the studio



neko-case-oprOregon Public Radio just posted an in-studio session with Neko Case and two of her band members, guitarist Paul Rigby and singer Kelly Hogan. Case performs three songs from her latest, Middle Cyclone: the title track, People Got A Lotta Nerve and after the second interview section she closes with Harry Nilsson’s Don’t Forget Me, sans piano orchestra as on the album, even though it’s not listed on the page.

There are also two fairly lengthy interviews with various snippets of interest. She talks about the album and the natural forces themes that run through it as well as real tornadoes, cigarettes, her new farm in Vermont and her sometimes band The New Pornographers.

Nice performances and a fun interview. A shame that the closest she comes to Connecticut on her current tour are dates in Maine, Vermont and the Newport Folk Festival, all in August. Listen to it at OPR.

Woodstock revisited



If you haven’t noticed the Woodstock blitz is on. The 40th anniversary of the most famous rock festival in history is being celebrated with a number of new releases on CD, DVD and Blu-Ray.

woodstock-40thThe only question left is whether Michael Lang, who produced the original festival, will stage anniversary events in August. There were reports earlier this year about free concerts in upstate New York and Berlin, Germany, but nothing is confirmed.

The video of the festival has been re-released by Warner Brothers in at least three versions, a two-disc Special Edition, and a three-disc Ultimate Collector’s Edition on DVD and Blu-Ray. It comes in a funky fringed box and features a 225-minute Director’s Cut and an additional three hours of bonus material and previously unreleased performances by artists such as Creedence Clearwater Revival, Santana, The Who, The Dead and The Paul Butterfield Blues Band, among many others.

Despite all this, there are still performances that won’t be included, most notably The Band. But others such as Creedence and Mountain will be making their first appearance. Blu-Ray will set you back about $60, while DVD can be had for $42. You can find a list of the 18 bonus performances here. Continue reading Woodstock revisited

Stripped down Crosby, Stills & Nash



Usually when demos make up an album or are included as bonus tracks, you can often expect rough sonics, less than perfect performances and songwriting that is evolving. On Crosby, Stills & Nash’s recently released Demos, produced by Graham Nash and Joel Bernstein, that’s not the case.

csn-demosThe sound is pristine, the performances near flawless and the songs are fully formed in almost every instance. It’s an easy and pleasant listen. What it lacks is a hint at how most of these tunes changed from the early demo stage to the finished product.

All but one are simply acoustic versions of the songs with basically few changes from the end result. One track by Crosby, Music Is Love from his solo album If I Could Only Remember My Name, is actually the mono log tape of the master take lacking only overdubs.

That’s not to say Demos is of no interest, just not on the level of understanding how the songs came about and evolved.

Each musician has four tracks, with Neil Young contributing to Music Is Love, but the standouts are all by Stephen Stills, who at the time — late ’60s to early ’70s — had to be considered one of the great creative forces in rock. He certainly was the acknowledged leader of CSN and taking into account his output in Buffalo Springfield, CSN&Y and his first two solo albums it begs the question: Whatever happened to Stills? But more on that later. Continue reading Stripped down Crosby, Stills & Nash

Elvis returns to the South



For his second venture recording in the American South this decade, Elvis Costello enlisted producer T-Bone Burnett, coming off his successful collaboration with Robert Plant and Alison Krause on Raising Sand, for an album with bluegrass musicians.

elvis-costell-secret-albumBut Secret, Profane & Sugarcane is hardly just a bluegrass album. Costello imbues his songs with rock, country blues and jazz sensibilities as well as folk themes built around four songs from an unfinished Hans Christian Anderson opera.

The playing is immaculate in a traditional bluegrass style, no drums, and the songs are vintage Costello, always interesting musically and lyrically stories easy to follow and ringing with truth, depth of emotion and at times a sly whimsy.

The album was recorded in a scant three days in Nashville and each track features the core band of Costello on acoustic guitar, T-Bone on most tracks with a Kay 161 electric, Dennis Crouch, double bass, Stuart Duncan, fiddle/banjo, Jerry Douglas, dobro, Mike Compton, mandolin and the harmony vocal of Jim Lauderdale, who often traces Costello closely throughout entire songs. Emmylou Harris joins them on one song, The Crooked Line. Jeff Taylor plays accordion on three tracks. Continue reading Elvis returns to the South

On the road again



Photo: Kevin Mazur
Photo: Kevin Mazur

Eric Clapton and Steve Winwood began their 2009 tour together in New Jersey at the Izod Center Thursday night. A reprise of their three-night performance in February, 2008, which produced the CD and DVD Live From Madison Square Garden released last month, the two legends stuck to a similar set as in the MSG shows.

The duo again opened with the Blind Faith tune Had To Cry Today, featuring double guitar solos on the tag. Clapton replaced Double Trouble for his blues feature early in the set with Big Maceo’s Tough Luck Blues and J.J. Cale’s After Midnight was moved up to an early spot in the show right after another Cale number Lowdown, the second song of the set.

The acoustic portion of the concert has been altered a bit with Winwood, after playing Georgia On My Mind solo on Hammond organ, joining Clapton for Driftin’ with the rest of the band. Then the two each played acoustic guitar on Nobody Loves You When You’re Down And Out, Layla and the Blind Faith classic Can’t Find My Way Home.

The Hendrix tribute of Little Wing and Voodoo Chile along with another Cale standard, Cocaine, closed the show with Dear Mr. Fantasy as the encore.

Willie Weeks is back on bass, Chris Stainton, of Joe Cocker and the Grease Band fame, on keyboards, but the drummer is new with Abe Laboriel Jr. replacing Ian Thomas. Also, Michelle John and Sharon White have been added as background singers.

The tour runs through June, ending in Los Angeles on June 30.

Here is the set list courtesy of Where’s Eric!

Had To Cry Today
Low Down
After Midnight
Sleeping In The Ground
Presence Of The Lord
Glad
Well Alright
Tough Luck Blues
Tell The Truth
Pearly Queen
No Face, No Name, No Number
Forever Man
Georgia On My Mind
Driftin’
Nobody Knows You When You’re Down and Out
Layla
Can’t Find My Way Home
Split Decision
Little Wing
Voodoo Chile
Cocaine

Encore:
Dear Mr. Fantasy